SELECTED PUBLICATIONS
ARTSUPP (2022)
Pierrick Gaumé’s The Still Escape photography series on the Artsupp website :
https://artsupp.com/en/milan/exhibitions/l-evasione-immobile-manifiesto-blanco
VIRTUALLY01 (2022, in Italian)
Pierrick Gaumé among the Virtually01 photography contest’s 5 finalists (Autumn 2022) :
https://www.photoprojectpro.com/virtually01/
Catalogue of the finalists’ interactive 3D exhibit:
SHOTS TO TELL 5 (2022)
Portfolio of « Le Automorphoses, dall’Italia alla California » (pages 56 to 65) with full-page color photographs and Italian text in the Volume 5 of ShotToTell, the collection of books from Photo Project Pro / Mainland Editions - Milan, Italy - April 2022.
https://www.photoprojectpro.com/shotstotell-5/
INFINIMENT LA LOIRE (2022, in French)
Pierrick Gaumé’s « Miroir II Loire (Diptyque) » photograph was printed in the book titled « Infiniment la Loire - Un homme a marché sur la Loire » written in French by Philippe Vahakn Ouzounian (Edita publisher - France, 2022).
http://ark.bnf.fr/ark:/12148/cb47081590h
2021: Milano Shakerata (60 pages in Italian & English with photos - self-published)
https://www.prgaume.com/en/product-page/milano-shakerata-book-2021
2020: SF-Morphoses (self-published via Blurb Inc.)
https://www.prgaume.com/en/product-page/sf-morphoses
2016: Interview for Men’s Passion Magazine (N°80 - feature on pages 50 to 55)
https://issuu.com/menspassion_magazine/docs/men_s_passion__80_-_october_2016/1
2014: Gaumé’s photograph of WWI memorial architecture, as chosen by Raymond Depardon and exhibited at the Festival des Rencontres de la Photographie d’Arles :
https://monumentsmorts.univ-lille.fr/monument/media/51251
2013: Paris-Morphoses (self-published via Blurb Inc.)
https://www.blurb.com/b/4727095-paris-morphoses
2010: Photography portfolio in Lush Finesse art event catalogue and cover of Cimarron Review’s Winter issue (USA)
http://cimarronreview.com/issue-170-winter-2010/
2008: Artist’s portrait and feature in The MacGuffin Literary Journal’s Fall-Winter issue (USA)
2000: Illustrations in the Amnesty International Chronicle and in Le Journal des Associations (France).